- Q&AD
- Season 1
- Episode 1
Interior Designer Answers Your Top Design Questions
Released on 12/20/2024
Should you mount your TV over your fireplace?
Hell no, my name's David Netto.
I'm an interior designer based in LA
and I'm gonna answer some of the questions
that you've asked AD on their Instagram.
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Creative ways to use lights instead of using overheads.
Well, this is kind of a trick question
because you can't just use overhead lights
or you're gonna have a disaster on your hands.
You're gonna have a VD clinic waiting room,
you're gonna have a police station or I don't know what,
but it's not something you wanna live in.
It's not just creative.
You must have the primary source of light
that you live with be at eye height,
and then whatever's in the ceiling overhead is gravy,
but should be dimmed way down.
The best ways I know to do that,
to offset needing more light
in the ceiling is to use sconces.
That's one traditional decorating thing
that still works in any kind of room for me.
The other way is to furnish the room well enough
that you anticipate table lamps where you will want them.
They're not just a fancy option, they are the reason
that the room is sexy or that the lighting is successful.
Do you ever notice like lighting is a huge aspect
of why a place is desirable to be in?
The reason is because you want
to feel seduced by the lighting.
And if the lighting is a one-liner,
it's sort of like someone tearing all their clothes off
and saying, you know, here I am.
There's just no story to it.
And then you also want to distribute
the light evenly around the room.
So the sconces, if you have a pair on one side,
look for a way to put another pair
on the other side that answers.
The best countertop for a kitchen that gets a ton of use.
If you're a real cook
and you've got a house full of kids,
the kitchen's gonna get beat up.
So my first thought is to give into the fact
that it's going to get a beating
and offer something that actually looks better.
The way actually leather looks better
the more patina it is.
If it's really getting banged up,
I like to suggest that we use a material
called Vermont Soapstone for countertops.
It beats up evenly over time.
The first scuff or wine stain will be very upsetting,
but then after a few months,
the whole thing is scuffed up evenly
and it has this wonderful patina
like something from the 19th century
and it's actually the material that they used
to make lab counters out of before they invented composites.
And it comes from Vermont.
Vermont's my favorite state.
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What colors mix well
and what combos should I avoid?
Colors that mix well to me are colors that take a risk.
I like to do a little more R&D
than doing things that I know
are already in someone's mind's eye
because they're so easy to like, light blue, blue and white.
These are wonderful color combinations.
They have their place in the world, but when people call me
and they want something they couldn't have maybe done
on their own, I like to try to take risks with color.
And so these two colors, dark green
and brown would be one example.
Another example of a very successful color combination,
I think is dark green and dark blue.
This is a catalog of a French designer,
actually, he wasn't a designer.
The best designers are often not designers.
Charles de Beistegui,
and this is the Château de Groussay, which is full
of all these very strange kind of technicolor combinations.
Another way, giving you some real inside tricks here,
that I like to figure out how to mix colors
in an exciting way, is to look at the work
of a decorator called Jacques Garcia.
And he sort of brings new life
to rooms that are about the past in most ways.
You know, he likes, as Karl Lagerfeld once said,
I like my 18th century fresh,
and that's kind of what Jacques Garcia does.
So when I'm stuck
and I need some exciting color combinations,
I do look at the Jacques Garcia book
and I'm happy to tell you I always find an answer.
What color combination should you avoid?
Well, I don't know.
I only know the things that work.
That's why I'm in the video here.
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Colors are often very personally triggering.
You don't necessarily know why somebody loves a color
that you might not like at all.
I used to be very prone
to air sickness when I was a small child.
So I remember the colors of the insides
of airplanes in the 1970s
in these sort of mustard brown and orange.
I can't do that because I'm programmed
and we all are in one way or another.
Anybody trying to put together a color palette
can look at the same things that I'm looking at.
Every room needs a little bit of red
if it's gonna be exciting.
I mean, there are very few rules,
but that is one of those rules.
You generally don't want the red
to be dominant in any way.
If you're not working with a designer, it's safer
to do neutrals and then just do a pop of red.
There is no problem doing a room
that is predominantly white or off white.
Create a largely white backdrop
and then drop in something weird color-wise
as the hot sauce.
Hit it hard with two shakes of Tabasco and get out alive.
Should you mount your TV over your fireplace?
Hell no.
This is something I'm on record
as saying in print as often as I can.
The bane of flat screen TVs
is that now they end up going over everybody's fireplace
and it's pretty much the worst thing you can do for a room.
That being said, the convenience can be irresistible,
but you're asking me, should you and not could you?
And I'm saying no, you should not.
You should find somewhere else for that
because the fireplace is the holy grail of the life
of the house, and we should watch the fire
and not the TV.
Frame TVs are kind of a blessing, they are innocuous.
What I would not do is put the pictures that they show
of flowers and views of, you know,
fantasy seascapes and stuff like that.
Just turn it off.
But a frame TV is a lot less ugly than a non frame TV.
When you get a frame TV, you can hang other frame things
around it and create what's called a salon hang
that sort of disguises the impact of the TV.
What design styles mix well?
Anything that is enough
of a completely disparate point of view
tends to be exciting because it creates a tension
and a conversation between the two objects
and the two styles.
So the styles that mix well are super modern
and medieval, 18th century French
and Italian 1960s wicker furniture.
Design styles that don't mix well are things that are wimpy
or don't have a different enough point of view
to want to be next to each other.
If you look at two pieces
and you're wondering if they're going to work well
next to each other, I would ask yourself,
am I excited to look at these two pieces
or am I just trying to solve the problem?
The emotional response that you have to objects
and the juxtaposition of objects is usually the best way
to figure out if something's gonna look successful.
I remember when I didn't know how to do that.
I made a lot of mistakes, don't feel bad.
Mistakes are the only way to learn.
How do you determine if a vintage piece is ugly or chic?
Well, this is kind of a trick question
because a lot of times the chic things are ugly.
What you want to get better at
as your taste evolves is not being afraid of ugly things
because you're gonna put it next to something
that makes the whole composition successful.
Notice I'm not saying pretty, I'm saying successful
because lots of times pretty
and chic really have nothing to do with each other.
If you want to feel not so much that you care
that it's chic or not, but that it says something to you,
then you're actually doing the most important part
of collecting and decorating,
which is you're making a personal connection
with the object.
If you're looking for something vintage,
you should keep your eyes peeled
for whatever is a great thing
that could come from the region of where you're looking.
So if you're looking for something vintage in Maine,
you might wanna look for the best decoy duck.
If you're looking in an Italian flea market,
maybe you're looking for a Venetian mirror
that's all dusty and nobody cares about it.
The first thing you want to establish
is where are you and what could the best thing be
that crosses your path in that part of the world?
Next question, good colors
for someone who's afraid of color.
A good way to get into a comfort zone with that
is to talk about fashion connection.
So if you ask someone what their favorite color
sweater is to wear that they're comfortable with,
they would tell you
and then you would say, well, there's a color
that we want to use in a room for you.
If you ask someone why Hermes boxes are so beautiful
when they're this bright screaming orange,
but you're not afraid to have an Hermes box handed to you,
then let's find a way to put an orange blanket over the back
of a chair in one of your rooms or even do more with it.
There are ways trick people
into relaxing that are sort of psychological cues,
which a good decorator has quite a few of.
There's a lot to be said for sticking
to one color in a space.
I would say if you do it boringly,
which is to sort of half do it, you know, you do a chair
and the pillow on the chair is the same color,
that's kind of not gonna be too exciting.
But if you did the same color on the walls, the chair,
a version of it on the carpet, then there's a painting
and the painting has that color in it.
Something like that can be one
of the most sophisticated rooms in the world
because generally the more you see of it,
the prettier it is.
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I don't get a lot of natural light.
How can I make my home feel brighter?
This is a lot of our problems, dear writer, don't feel bad.
You can make your room feel brighter
by causing distractions internally, counterintuitively,
one of the ways to do that is to paint a room darker.
So if you paint a dark color,
it makes the space feel bigger and more mysterious.
The light that you do have will actually feel like more.
Another way to do this
is to paint the floors bright, high gloss white.
Any kind of floor paint to me is a sort of dazzling way
to lift a room and make it feel hip.
You do have to be careful
because there's very little oil-based paint.
Only Fine Paints of Europe is still a high gloss paint
that gives you the effect that I'm talking about
and that will also give you reflected light.
You can bring metal into play in the room
and you can have a metal coffee table with a glass top.
You can have metal lamps.
I would say go heavy on the metal and heavy on the mirror.
Another trick is using picture lights on all the pictures
because then you get this soft glow.
It doesn't look like you're compensating for anything.
It looks like it was always intended
to be that sort of English country house atmosphere.
I can't afford all new furniture,
but I want to keep my house from feeling dated.
Any tips?
Well, sure, I love budgets.
Okay, any good decorator is not a snob
because great decorating is about creativity
and getting excited about finding opportunities.
It's not about spending money.
My first recommendation would be take things away
because most people need editing
rather than more decorating.
And then I would say scrape together the money
that we do have and put a architectural mirror into a room.
Turn one wall into a mirrored wall
and then it'll double the light of the windows,
which costs nothing.
It will reflect the furniture that we did have money to buy,
and it's a way of bringing glamour
for relatively little expense.
If you can't afford all new furniture,
which many people cannot,
there's no reason to be discouraged by that.
You probably can afford a big, beautiful tree.
And I would say that you should go to the flower market
and get the most beautiful black olive tree
and the biggest one you can fit.
And then you go to a hardware store and you buy an uplight,
and then you put that in the corner
next to the new mirrored wall
and you're halfway to a Billy Baldwin room
with no new furniture.
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What piece is most worth splurging on?
I think that the piece that's worth splurging on
is the piece that you care about.
This is your house.
It's supposed to be about your dreams
of how you're gonna feel at home.
One answer to that might be
the most beautiful sailboat model in the world,
as big as I can get, somebody else
would say, why are you giving me a boat model?
I don't care about this, I don't live near water.
You know, I want an incredible desk.
I'm a workaholic and all I do is sit at my desk.
I want the desk to make me feel
like everything I ever dreamed would happen in my life.
So this is a highly subjective thing,
but the thing worth splurging on
is the thing that the client or the person
using the room cares about the most.
If you have kids or pets, you still have
to have a beautiful house
because the house will be compromised.
I mean, I'm not gonna use the word ruined.
I'm a father of two beautiful girls
and I loved my dog deeply,
and we just accepted that the impact
that they had on the house would be something
and not nothing, but it didn't stop me
from buying anything that really wanted
because I was worried that they would mess it up.
It just didn't, you're lucky to have the dogs.
Who cares about the furniture?
You know, just go for it.
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What are affordable upgrades
that make a big visual difference besides paint?
You can put wallpaper on the ceiling.
You can buy the biggest size noguchi paper globe pendant
and hang it in the middle of the room,
get rid of all your rugs and refinish the floors
and then have everything looks kind of stark and elegant.
One way you can lift a space
without spending terribly much money
is buy beautiful books and stack them artistically.
Make a composition of the books on the coffee table
and then buy one object that's a great
sort of beguiling thing, could be a bust of Voltaire,
or it could be an abstract modern sculpture
that you find in a flea market that's not valuable,
but it's pleasing to you.
How to start furnishing an empty apartment
when you don't wanna rush the process.
I would start with the sofa
because what good is life if you haven't got somewhere
to sit when you come home, try to get some
of the lamps in place right away
because you're never gonna like it unless it's nicely lit.
I mean, if it's me, what I care about are chairs
because they're like characters in a play.
You just can fall in love
with a chair the way you can't
almost any other piece of furniture for me.
So I would buy one beautiful sculptural chair
with a very strong direction in it,
embedded in the DNA of it as to how you want
everything else to end
and let the chair do the talking
until you buy all those other things.
Thanks for all your questions.
It's been a pleasure to answer them as best I could
and good luck out there with the shopping
and the decorating.
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